Minghui's Blogs

The eighth set of readings is Tonio Andrade's The Gunpowder Age , which encompasses a fairly large literature on history of science, technology, warfare, state formation and competition. Andrade asks a poignant question: How did Europe conquer the world? Industrial revolution and capitalism alone could not explain Europe's military conquest and colonial power around the world. Steamships could go far and fast around the globe, but the cannons equipped on the steamships were the main advantage for them to defeat Chinese navies. How did this great divergence of military technology take place? Andrade's part 3, dubbed the age of parity, describes several battles between Dutch and Zhengs in Taiwan on the one hand and the Manchu-Korean coalition against the Cossacks on the other. I think this is the best part of the book and the most important contribution he makes to the field. He explains in convincing details why Europe's military technology advanced while the Ming dyna

The seventh set of readings include parts 2 and 3 of Matthew Sommer's Polyandry and Wife-selling in Qing Dynasty China and a collection of judicial records called True Crimes in Eighteenth-century China , translated and edited by Robert Hegel. Sommer speaks broadly to two bodies of literature. The first (social and economic history) searches for the roots of social crisis and revolution in China. The second (social anthropology) analyzes the disjunction between a variety of non-normative marriages and some practices were stigmatized but solved problems and met needs that normative noes could not. His case studies on wife sale is our focus. By meticulously tabulating and classifying his cases from court central archive to various local archives, Sommer analytically divides his cases into "anatomy of a wife sale," "prices in wife sales," "negotiation between men in wife sales," and "wives, natal families and children." Then he brought them t

The sixth set of readings includes Andrea Goldman's  Opera and the City  and Stephen Roddy's " Toward a Buddhist Cosmopolitanism" and " Cultural Solidarity in Troubled Times." In this section we examine the contested and moving lines between China's elite and popular cultures as well as between center and periphery in the nineteenth century. Goldman's Opera and the City can be read along four lines of inquiry. (1) The difference between urban and rural experience. She lists three kinds of venues for theatrical performance in Beijing–commercial playhouses, temple fairs and salon. Only temple fairs were available in rural market towns, depending on the economical scale of each town. (2) Grey area between elite and popular cultures. The entertainment values of sex and violence came largely from popular imagination based up some historical anecdotes or fictions like Water Margins. What was considered high brow (Yabu) or low brow (huabu) could be att